My last memory of a Marc Jacobs collection was his Spring 2017 Ready-to-Wear show, where a white-washed cast of 52 women strode down the runway in eccentric-colored mini dresses and 6” platform sandals, their heads piled high with rainbow dreadlocks. Its blatant cultural appropriation and aggressively playful aesthetic did nothing for me other than put Jacobs back on my radar for all the wrong reasons.

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